I saw that in Arsenale at Venice Biennale this year! It is a very interesting work!
Christian Marclay, the wizardly visual artist, composer and appropriator has done it again, and then some. “The Clock,” his latest excursion into extreme editing and radical sampling, is a 24-hour timepiece that ticks off the minutes — and sometimes the seconds — of a full day, using thousands of brilliantly spliced-together film clips from all kinds of movies. All of them feature clocks or watches or people announcing the time, or more obliquely conjure up the passage of time.
